Dion - Son Of Skip James

Another post, I’m on a roll :-)

Shades has already made the point that it has not actually featured Dion's "Son Of Skip James" so, even though it came out in November last year, here is my take on the album, along with a recommendation to go out and buy it!
Even at the grand old age of 68 and counting the great man is clearly still doing the business, and seemingly really enjoying himself in the process. On his newest release, he taps into the blues influence that has long informed his music. It follows on the heels of last year’s "Bronx in Blue", which earned a Grammy Award nomination. Most people like this latest album but prefer the former. Of the two, I actually favour this release.

But what sticks in the mind about this CD is Dion’s voice which, in many ways, is better and more rounded than it was when he was taking songs like 'Runaround Sue' to the top of the charts. There’s now a subtlety and sensitivity to go with the bravado. The idea of Dion doing blues might seem odd to those who haven't followed his career, but he's been close to the music for almost all his recording career. He began using the blues or blues based music as soon as he left the Belmonts, and hooked up with songwriter Ernie Maresca. After the big hits ('Runaround Sue', 'The Wanderer' etc.) Dion quickly went on to have hits with two Drifters numbers, 'Ruby Baby' and 'Drip Drop' – both blues based. When Dion signed with Columbia Records and met talent scout John Hammond, he was introduced to the classic blues singers that he’s covered on his last two CDs. But the influence was always there for anyone that cares to listen. It wasn't the leap that many make out.

Around the same time, Dion became a devout Catholic. Still loves the devil’s music though and he clearly isn’t one to be messed with. Check out the title track - “I’m a lover, not a fighter—but I could still kick your ass”. And I suspect he could too!

Dion authoritatively works his way through a variety of covers ranging from Chuck Berry’s 'Nadine' to Johnson’s 'If I Had Possession Over Judgment Day' to Willie Dixon’s 'My Babe' (popularized by Little Walter, among others). To be honest, it’s the material that makes me favour this over the Bronx In Blue set, I think there’s a little more variation. Some think the material is overly familiar, so you just have to make your choice.

The "crossroads" where blues, religion and rock and roll music meet has been done many times before, but it works well on this album all the same. It’s an area he should explore further, even if there will be many telling him that religion doesn’t sell. Whatever, if you like acoustic (ish) blues, give this excellent album a go.